This presence of a garden on our block transforms
our sense of urban space so that we no longer feel
trapped indoors, without adequate means of
escape, unable to transcend the particular property
to which we have been assigned. Belonging to a
garden means we possess a key. Only those with
this key may enter sacred space. This privilege
bears responsibilities. We must cultivate our plots
each year to continue to be recognized as
gardeners. We must perform specific chores to
fulfill our obligations of membership.
…
The garden is close to the ground. Is everything that
our apartment buildings are not. Its perimeter is
defined by a steel wire fence that separates the
outside space of the sidewalk from the inside space
that contains wood-framed plots, a tool shed,
compost heap and grid of paved and unpaved
pathways organized around a central trellis.
…
The privilege of entering and occupying the space
within the garden fence is reinforced by those who
pass by, observe us admiringly and cannot enter. They
wonder what we are up to – how this came to be.
Why we are within this privileged space and they
remain mere observers on the perimeter.
…
Occasionally, it may come to pass that you are the
sole occupant of the garden for a time and are able to
enjoy the strange sensation of being alone in what
resembles well a prison except that you possess the
means to enter and exit at will. Your safety, an illusion
perpetrated by a high fence which might be difficult to
climb but whose permeable membrane likely offers
little protection against outside forces truly wishing to
do harm. But fortunately the greatest harm that has
been perpetrated by outsiders has been by those who
occasionally pick flowers that poke through the gate
or climb up and pick the sweet cherries and sour
cherries that bloom in May or early June that hang
down over the side of the fence. And there is certainly
a delight in sharing the fruits of the garden and herbs
with those who stop to look and wonder at the
marvelousness of a garden such as this in such an
unlikely place as the middle of Manhattan.
…
There are also dinners at the picnic tables which
primarily the relatively younger occupants use to hold
candlelit barbecues in the early evenings with wine
and beer. Because, like the thin (nearly invisible) wires
that define eruvin in orthodox Jewish communities in
Brooklyn & Israel, within which the observant are able
to designate once public spaces as private in
relationship to Sabbath restrictions – or like the
minimalist sculptures of Fred Sandback who created
an altered sense of space through the use of few lines
of acrylic yarn or elastic cord – within the garden, city
open container laws and other regulations that apply
to open space cease to apply.
…
The mere fact of the fence defines a private space for
all inside that thwarts the rules of the street. And that
is why people on the street who pass by and see you
enjoying a glass of wine are so utterly charmed by
this and puzzled about how this can exist. This
possibility of another outside space beyond the small
space of the apartment transforms the block and
instantly makes it more human. Even when we aren't
able to visit the garden for quite a while, it matters
deeply to our perception of the block. The fact of its
existence speaks possibilities. Allows us to breath a
little clearer knowing that we can unlock the gate and
take refuge from our homes, from the street, from the
perimeter of the block into an interior place.
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Author Bio: Dan Machlin‘s books and chapbooks include Dear Body: (Ugly Duckling Presse), 6×7 (Ugly Duckling), This Side Facing You (Heart Hammer) and In Rem (@ Press). His poems have appeared in The Recluse, BOMB, The Brooklyn Rail, Fence, Veritas, Figuring Color (ICA Boston) and are forthcoming in The Tiny. He was a recent Lower Manhattan Cultural Council Workspace writing fellow and has received grants from CLMP/Jerome Foundation and Fund for Poetry. He is the Founder and Executive Editor of Futurepoem books.