Like the moth that resembles only dust gathered in its corner,
even flapping wildly,
my dream tells me I don't need to rush:
The light soft clouded into unity,
my expectation a dependence
and I hurried myself into the waking
called expense
and so all is gift-giving, whoever you are
in a circle,
only this small portion gridded.
Ignoring empty space I double back:
this little sunburn
and so I sign the name
no need
❦
sometimes only smile,
not lift my feet so firmly but lock movement into you.
uncollecting
coated by the heavy air and sight
Now the fields are red and flattening before my eyes
jump into boxes and strike a jumping snake,
law
follow none of these
swimming towards you at dream speed in
the puddle I float on that brings me to you.
a shiver flaking
(saw one another)
I can't exceed the present tense, I barely achieve it:
close my eyes for help or dream or relief or the face
that I meet and call—
my margins are getting translucent,
filled with repose: fallen branches
scatter the driveway, the drain bubbles.
in a shaded corner / I see the lamps
small sub-curtain movements.
I want to know their names:
❦
Sun speckled sides: arrive the present's warmth,
trapped anteroom smell,
my light: furiously
in the sunny spread,
get me into my pink shade, lap of words
fading light: flat and closed
response the condition fleeing light:
the tunnel blinks dark,
I raise and lower a habitual itinerary
on which light lifts me and I follow,
❦
and so I delay my fading, untimely marks,
a consequence of the instrument I spin and draw.
Then discover that night was wet,
morning shades dissipate into past hours,
a gravel catcher
to which my warp expels sweat and other extrusions:
morning feeling coming upon me
dragged along wet friction, small footprints.
light rises slowly,
what do trees hold when heavy with spring?
My plodding stays in these chambers,
along repeating lines
of disagreeable numbers.
I was stupid in stallings,
tracking myself down
in avoidant route to my clearing.
Find me in the wire whine
find fantasizing the opposite of travel—
quiet's clamoring.
I ignore my own promises,
❦
what good will they do me.
eye slow
and gives out-
a warm color,
back-projected
itinerary
margins of my content.
gentle pull,
I instructed the sound to repeat,
I skirted policed space,
the hour is a police copter whir,
now flee from it
MAGA hats,
warm
and pressing at my limits.
in place
animal
tranquility
❦
believe more
that light can't wake me
falling behind,
unheeding the hour and the hours.
a cry
broken and reassembled,
divided into several nominations.
Every route is escape,
everyone here is my friend,
now light flickers lightning in my eye—
the sky muddy
but not cold
standing briefly there alone
Back to The Issue | Back to the Top
Author Bio: Daniel Benjamin received his PhD from UC Berkeley in 2019. His poems have recently appeared in The Tiny, Oversound, and Berkeley Poetry Review. He is the author of an afterword to a new edition of Jack Spicer's story The Wasps (spect!, 2016). With Eric Sneathen, he edited The Bigness of Things: New Narrative and Visual Culture (Wolfman Books, 2017), and with Claire Marie Stancek, Active Aesthetics: Contemporary Australian Poetry (Tuumba/Giramondo, 2016).