1.
I write for occasions
Lee Ann explained
her erotic sonnets
turned elegiac with so many poets
dying and today
Joanne
I record swift departures
Lee Ann's to New York from Paris
Joanne's to freedom from illusion
2.
I don't write for occasion's unsustainable
méconnaisance. Greetings to
cliffhanger cargo
dropped
in on
carrier verses
silhouetting
tables and ponds, a rooftop
Somewhere weeds in the pond
have left a stain
under repair. Barrett introduced us there
in 1978 I wonder
what's the date?
Let's not let March something constrain,
for instance, this line, a credit to Barrett and Etel who relay what they know
from Joanne Kyger
3.
It's the next day, which is also another waking up in socks, gloomy Paris
Francoise is tuning forks and knives, preparing plates
I'm looking for a way to talk to the bee, living in the tiny hole of her balcony wall
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Author Bio: Carla Harryman’s recent books are Sue in Berlin (To Series, PURH, 2018) and Sue à Berlin (trans. Sabine Huynh, PURH, 2018); L’Impromptu de Hannah/Hannah Interrupted (trans. Abigail Lang, Joca Seria, 2018); and Artifact of Hope (Ordinance 10), (Kenning Editions, 2017).