Unheeded as a threshold
The Great Monumental Text
that can not be read
because it's not words
It's a letter to Mars
stapled at the center
it contains:
Infinite Space
Think of Apollo
the crafts that allow godlike movement
skin envelopes we create
measure the smallness of our own selvage
One is always setting at the corner
partial views we pretend oceanic realness
but the paper crinkles as your eye moves out
it's only light coming back to us
Our beings are surfaces we collect light and bacteria
drawing 14 numbers around the clock
for each turn in the light
one surface covers another
In this diagram he drew the colors from his own heart
hidden in the shadow cavity
we will be closing in five minutes
the minimal arch
Notes towards a cloud
hang iambic
This is no time
in the rain of color
Melting
toward blankness
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Author Bio: Karen Weiser is a writer who lives in New York City. Currently she is in advanced training for Psychoanalysis at the Institute of Contemporary Psychotherapy in New York City. She has a Phd in English and American Studies from the CUNY Graduate Center and an MFA in Poetry from the New School. She writes poetry as well as essays on 19th Century American novels and poetry. Her second collection of poems entitled Or, The Ambiguities (Ugly Duckling Presse, 2015) was written in conversation with the works of Herman Melville. Her first book To Light Out (Ugly Duckling Presse, 2010) considered the idea of talking with the unknown while pregnant.